The Celluloid Specimen: Moving Image Research into Animal Life. Berkley, CA: University of California Press, 2022.
“Abandoned Aquariums: Online Animal Attractions during Quarantine.” Journal of Environmental Media 1.2 (Summer 2020).
“From Lab to Classroom: Animal Testing and Educational Film.” Film History 30.4 (Winter 2019).
“B. F. Skinner’s Project Pigeon: Rendering the War Animal Through Optical Technology.” Cinema Journal 58.4 (Summer 2019).
“From Cat to Clowder: Kedi in the Anthropocene.” In Kedi: A Docalogue, edited by Jaimie Baron and Kristen Fuhs. Philadelphia, PA: Routledge, 2021.
“Mediating Disease: Scientific Transcriptions of COVID-19 into Animal Models.” In Pandemic Media: Preliminary Notes Toward an Inventory, coauthored with Sophia Gräfe, edited by Philipp Dominik Keidl, Vinzenz Hediger and Laliv Melamed. Lüneburg, Germany: meson press, 2020.
“The Celluloid Specimen: Animal Origins for the Moving Image.” In Viscera, Skin, and Physical Form: Corporeality and Early Cinema, edited by Jan Olsson, Marina Dahlquist, Valentine Robert and Doron Galili. Bloomington, IA: Indiana University Press, 2018.